The Red 3 is a dual mono/stereo compressor/limiter that hit the markets in 1994. Both compression and limiting also offer peak response rather than averaging RMS which ensures a superb transient response. Although the Studio VCA sounds transparent, you can give your sounds more analog vibe with distortion control. The Studio VCA model works great on the mix bus as well as bass, vocals, and guitars because of its fast and tight response. This emulation is fully discrete and balanced, meaning it’s very clean sounding and doesn’t color the sound like other analog compressors. The Focusrite Red range is famous for its ability to maintain a natural sound, even when pushing the compression hard. The Studio VCA is an emulation of the Focusrite Red 3 Dual Compressor/Limiter. There is also a distortion option to add some grit whenever you want the precision of a digital compressor and color of analog hardware. Furthermore, the Platinum Digital works great on just about any sound. It has a very transparent sound, and the transient response is clean and fast.
This model is Logic Pro’s native digital compressor.
This guide breaks down each of the different emulations as well as offers insight into why their hardware counterparts are so revered. The new Logic Pro X Compressor features six analog circuit types that emulate legendary hardware compressors. One of the best feature improvements introduced in Logic Pro X is the redesigned Compressor plugin.
This guide explains the different Logic Pro X Compressor emulations and explores the history behind each model’s analog counterpart.
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